 --- Subtitled --- Tagline: To fight the enemy, she must become one of them. In the darkest days of World War II, Jewish fugitives attempt to escape occupied Holland - only to face a Nazi ambush. Rachel Stein (Carice van Houten) alone survives the attack and joins the Dutch Resistance to avenge her family. She soon confronts the ultimate test: she must infiltrate German headquarters by tempting Captain Ludwig Myntze (Sebastian Koch). In the heat of passion, he uncovers her duplicity...but keeps her secret. Then Rachel's espionage reveals that a murderous traitor lurks within Resistance ranks. Unable to fully trust anyone, Rachel navigates a minefield of deception and becomes an enemy to both sides. Epic, passionate, breathtaking, Black Book relates an untold story of World War II where the distinctions between good and evil become blurred by the complexities of human nature. Storyline: Israel 1956. Rachel, a Jew, rather unexpectedly meets an old friend at the kibbutz where she is working as a teacher. It brings back memories of her experiences in The Netherlands during the war, memories of betrayal. September 1944. Rachel is in trouble when her hiding place is bombed by allied troops. She gets in contact with a man from the resistance and joins a group of Jews who are to be smuggled across the Biesbosch by boat to the freed South Netherlands. Germans from a patrol boat murder them all however. Only Rachel is able to escape. She is rescued by a resistance group under the leadership of Gerben Kuipers. When Kuipers' son is captured after trying to smuggle weapons, he asks Rachel to seduce SS-hauptsturmführer Ludwig Müntze. Soon she will find out the attack in the Biesbosch wasn't a coincidence. Written by Arnoud Tiele (imdb@tiele.nl) Reviewer's Note: Reviewed by Greg Maltz, October 16, 2007 -- Straightforward stories about the Holocaust are enough of a challenge to make into motion pictures. The films must maintain an appropriate level of sensitivity and historical accuracy while taking enough artistic license to produce a work that will adequately impact viewers and inspire them to learn the lessons of how genocide and anti-semitism blot out humanity. Films like The Pianist and Schindler's List are controversial and shocking--and those are among the most critically acclaimed movies based on events from the Holocaust. They frame the story in the proper historical and emotional context. Of the thousands, perhaps millions, of important stories from those blackest of days, Dutch filmmaker Paul Verhoeven chose an absolutely disgusting, morally ambiguous tale. The story focuses on a wealthy young Jewish lady who manages to survive the Holocaust through a combination of sheer luck, vocal virtuosity and by sleeping with a nazi commander and with a fighter in the resistance movement. All this after seeing her entire family gunned down next to her. To make the story even more complex and disturbing, the nazi commander is portrayed as a "good guy" and the resistance fighter turns out to be a "bad guy". As if the plot isn't hair-raising in and of itself, Verhoeven handles it with the grace and sensitivity of an elephant in a delicate garden. Perhaps he was confused and thought he was making another action flick. And indeed, to look at the cover art of the Blu-ray, one might get the impression they will see an intriguing spy-turned-lover thriller. On the cover, adjacent to lead actress Carice van Houten, appears a quote from film fanatic Peter Travers of Rolling Stone. He declares Black Book to be, "Provocative and potently erotic! There's not a dull second in it!" Down below, the tagline reads, "To fight the enemy, she must become one of them." The back cover of the Blu-ray has another sensationalist quote, "An irresistible rush!", attributed to Richard Schickel of Time. It's difficult to see how anyone sensitive to the plight of Jews in the Holocaust would not take offense at the cavalier, promotional and disturbing manner in which Black Book is marketed and made. The filmmakers know very well that Rachel Stein did not "become one of them" and yet they allowed this statement and the inappropriate narrative of the film to take precedent over the troubling reality Jews faced throughout Europe during the Holocaust. And unfortunately, that's just the beginning of Black Book's many, many problems. From the opening moments onward, Stein is portrayed as a seductive, promiscuous diva. The film presents her as having the moral integrity of a tramp with few qualms about who she sleeps with--including a nazi commander--and this plays into the troubling stereotype that Jewish girls are easy. Similarly, Stein's wealthy family ties play into the stereotype that Jews are rich. Popular culture has enough propaganda to enforce those dangerous generalizations. In fact, nazi propaganda enforced both myths, too. The last thing we need is a film that further plays up harmful stereotypes. Yet, Black Book does so in a forthright, unapologetic way that I couldn't help but find inappropriate and repulsive. Most disgusting was the way the film delved into moral ambiguity. Nazi Captain Ludwig Muntze (Sebastian Koch) was portrayed as a respectable, quiet stamp collector. His family, it was revealed, had been killed in an allied bombing campaign. One gets the impression that the filmmakers want us to feel sorry for this nazi commander! Nowhere is he shown to have done anything wrong or inhuman. Perhaps Muntze is presented this way in a failed attempt to make Stein's affair with him seem palatable. But of course it did not seem palatable. Meanwhile, the strongest fighter in the resistance movement turns out, through a series of plot twists, to be in league with the nazis. So what is the message here? That even the nazis had noble leaders and resistance had bad leaders? That we should consider sleep ing with the enemy from time to time? Why would any filmmaker in his right mind decide this is an appropriate, worthy, important or representative tale to tell about the Holocaust? And if it is not appropriate, worthy, important nor representative, why bother to sink the time and money into telling it? These are important questions that really ought to be put to Sony, Verhoeven and the producers. As if breaking taboos one after another isn't enough, the film even tries to have relevance to current events and trips on itself some more. Throughout the second half of the film, we constantly hear the nazis discussing the resistance fighters as "terrorists". The nazis in Black Book talk of snuffing out the terrorists in much the same language that the current U.S. administration speaks of Islamic terrorists. This similar language does not get into a movie by accident. The filmmakers seemed to be consciously comparing U.S. policy with fascist nazi policy. The bottom line, though, and the reason for the very low score of this film, is that viewers who may not know much about the Holocaust could watch this movie and come away with many wrong ideas about the nazis, the Jews and what really happened in Europe during World War II. And for that, Black Book does a deep disservice and injustice to all who take seriously and try to learn from the events of history. Black Book came highly recommended and I looked forward to reviewing it. I realize that others will enjoy the film and not have a negative reaction to it, but this just makes me more strongly resent the story and the way the characters were portrayed. Lately, in popular culture, it has become fashionable to find a way to make everyone morally equivalent; to make all viewpoints ethically equal and to report them without emotion. Journalists and now filmmakers seem to have hit upon this moral equivalency in telling their stories. But when the story is the plight of Jews in Nazi- occupied Europe, there is no room for moral equivalency. And therefore there ought to be no reason to make a film showing a promiscuous Jewish woman sleeping with an admirable nazi commander and double-crossed by a nazi collaborator in the resistance. While such a story may be based on a true story, the truth is not fully represented in Black Book. Not by any stretch Cast Notes: Carice van Houten (Rachel Stein / Ellis de Vries), Sebastian Koch (Ludwig Müntze), Thom Hoffman (Hans Akkermans), Halina Reijn (Ronnie), Waldemar Kobus (Günther Franken), Derek de Lint (Gerben Kuipers), Christian Berkel (General Käutner), Dolf de Vries (Notary Wim Smaal), Peter Blok (Van Gein), Michiel Huisman (Rob), Ronald Armbrust (Tim Kuipers), Frank Lammers (Kees), Matthias Schoenaerts (Joop), Johnny de Mol (Theo), Xander Straat (Maarten).
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